Messiah continues to be the choir’s
signature work. OLCS has the privilege
of performing Messiah excerpts at the
site where the oratorio premièred
in 1742, as well as in the National
Concert Hall of Ireland. For many people
living in Dublin, Christmas does not
begin until they have heard at least
one performance of OLCS singing Messiah.
See our gallery of photos
from past performances of Messiah in the
Street and read about how it all came
to pass below.
Get the
flash player here: http://www.adobe.com/flashplayer
When the 250th anniversary
of Messiah’s first performance came
round in 1992 by Paul Kenny
Tuesday, April 7th, 2009
When
the 250th anniversary of Messiah’s
first performance came round in 1992,
I was very much aware that each year on
the day April 13th, a Mr. Casey, one of
the last remaining local residents of
the area, whose house overlooked the site
of “Mr. Neal’s Musick Hall,”
would open his windows and play a recording
of Messiah into the street below.
Having undertaken lots
of research in preparation of the anniversary,
I decided it was an occasion in the history
of the city that should be properly marked.
As a member of Our Lady’s Choral
Society, who have presented the work annually
to packed audiences since the choir’s
foundation in 1945, I badgered, begged
and pleaded with Proinnsías Ó
Duinn, our Musical Director and at that
time conductor of the RTÉ Concert
Orchestra, to bring the choir to Fishamble
Street at 12.00 noon on the day, the time
of the original performance, and at least
let us sing the Hallelujah Chorus to mark
the anniversary.
The choir enthusiastically
got behind the idea and we arrived to
find many hundreds if not nearer 2,000
people, mainly locals but also many visitors
gathered to celebrate the event with us.
We sang about 45 minutes of music from
the score on this occasion, all choral
excerpts. My dream was fulfilled and the
event was a tremendous success. Little
did I realize that it would still be happening
17 years later, but why not? It’s
something of which we can be justly proud
and we should celebrate.
The following year and
the next, we were back, and again the
audience gathered for what was becoming
an annual event. After several years,
the fledgling Temple Bar Properties took
an interest and eventually took on the
organizing of the event. In subsequent
years, the original keyboard accompaniment
has given way to a small instrumental
ensemble, and each year since 2000 we
have been joined by various soloists:
Lynda Lee, Robin Tritschler, Eamonn Mulhall,
Maria De Moel, Paul Byrom, and Emmanuel
Lawler among others.
Our audience too has
been faithful despite the often inclement
weather, which can be so unpredictable.
We’ve sung in glorious sunshine,
cold winds, driving rain, hail and even
snow on one occasion, but while our scores
may have ended up a little on the soggy
side, our spirits and hearts were filled
with joy and pride, and “and he
shall reign” has taken on another
connotation on these occasions!
MESSIAH DAY, as it has
come to be known, is now a fixture in
the calendar of Our Lady’s Choral
Society and of Temple Bar Cultural Trust.
I am so delighted that what I had originally
intended to be a once-off 250th-anniversary-day
event in 1992 has continued and establish
itself as an annual celebration marking
the premiere of a work which is so beloved
throughout the world but particularly
so here in Dublin and which has guaranteed
Dublin’s place in music history.
In a few years time,
we will be gathering to celebrate the
Silver Jubilee of these Messiah-in-the-Street
performances. That, too, will be fun,
and another occasion to celebrate Messiah
here in Dublin on the very spot where
it was first presented to the world. I
look forward to seeing many of you on
the day, maybe on this significant 250th
anniversary occasion or if not, on April
13th one of these years. Or maybe some
of you might venture into the National
Concert Hall on Tuesday 14th April this
year, the actual 250th anniversary day
of Handel’s death. We will be singing
a wonderful selection of Handel’s
glorious choral music which we don’t
get to hear that often. It’s just
another reminder to us of the many-faceted
talents of this wonderful composer.